My Sweet Mama

photo-39As I type this, my parents are driving from Kansas to Los Angeles to see me. My Mom won’t see this for a few days, perhaps not until after she gets home to Kansas in a couple of weeks. I love the fact that my Mom reads my blog, it keeps me from writing about things I probably shouldn’t write about.

A few days ago, I was swimming my laps and there was a woman, probably in her 30’s, who was attempting to swim in the lane next to me. She’d splash, flap her arms against the water, kick mightily. She had no sense that the water was there to buoy her, propel her even. She’d never had swim lessons, clearly. And I give her credit for being out there, with goggles and swim cap, no less, trying to figure it out. She made me think of my mother, who also never learned to swim. I think the reason I became a swimmer was because she wanted me to take swimming lessons every summer, she wanted me to have something she longed for as a child.

When you find out the story of people’s childhoods, sometimes you wonder how they ever made it to adulthood. If they’ve grown into a person who thrives, it’s even more of a miracle.

My Mother is the fourth of five children. Her Father died when she was two and she was raised by her Mother and three older brothers, Sam, Rocco and Mike. There was never very much money. Sometimes I lie awake at night worrying about money and (as far as I know) I don’t have 5 children to feed. I marvel that my Grandma, singlehandedly, could have raised 5 children to be 5 big-hearted, funny, smart, loyal adults, but she did.

There are things that my Mom missed out on by not growing up with a Father. Swimming lessons was the least of it. There were no Father-Daughter banquets, no one to make a Father’s Day card for, her brothers were the ones who taught her to drive.

And because my Grandmother worked so much and because she was one of 5, I think my Mother was always hungry for her love. At my Grandmother’s funeral, my Mother was so bereft she tried to crawl into her Mother’s casket as the family was saying their final goodbyes. Her brothers had to pull her away. I remember standing there, wondering if I should go to her or hang back. I was 20 at the time, not the best years in our particular Mother-Son relationship. I was a little embarrassed, but also I wondered if I might one day do the same thing with her one day. (My Mom and I have both probably seen the end of Imitation of Life one too many times, to be honest.)

I’m still haunted by the matriarchal character Violet Weston from August: Osage County, played onscreen by Meryl Streep. Her adulthood is so embittered because her childhood was so difficult and cruel. It made me think of my Mother, whose hardscrabble youth must have been similar, and yet she grew into my Mother, a woman who is loved by all who cross her path. A woman who always makes my favorite pork and potato burritos when I come home, a woman who is deeply sentimental about Lifetime Christmas movies, a woman who bakes butter pecan cookies for Eric every Christmas, a woman whose first words after her son came out to her were, “Nothing will change my love for you.”

My Mom’s favorite song is The Rose. Whenever it comes on the radio, she reminds me that this is the song she wants sung at her funeral. I won’t forget. I love the song almost as much as she does and though I’ve never told her, it always makes me think of her, too. If I had a dollar for every tear I’ve shed while listening to this song, I could buy my Mama a solid gold casket.

So, this song is for my Sweet Mama, I love her so.

This Takes Me Back

photo-37I am home now, but a few hours ago, I was walking through the David Hockney Exhibit at the DeYoung Museum in San Francisco.  Eric and I were in the city this week working a job together and I had a little extra time, so I went to the exhibit.  I used to live in San Francisco and as I drove along Fell and into Golden Gate Park, I remembered how I would often go for a run from my apartment near Alamo Square to the Pacific Ocean, along Fell, through the park, and then I’d turn around and run home.  I marvelled that there was ever a time when I had that much energy.

As I was walking through the exhibit, I noticed a gentleman about my Dad’s age lean in to say something to his wife.  They were looking at a rather large piece, entitled “Midsummer: East Yorkshire” which was composed of several panels of paintings.  I’d noticed him earlier, he was wearing a thin scarf around his neck and he just didn’t look like the scarf-wearing type.   He then pushed a finger up to his scarf and with a gravelly voice, whispered, “This takes me back to our trips to England.”  Then the two of them stared at the paintings in silence for a few moments, presumably lost in the memories of the vacations that they’d taken together through the years.  I don’t know the story of the scarf, if it’s something he’s dealt with for years or if it’s a new development, if it’s temporary or permanent.  He reminded me of my father, who last year for a couple of months had a tracheostomy tube and we wondered for a while if it might be permanent.  

When I saw the couple, for a moment, I thought I would write about them, then decided, no, there isn’t that much of a story.  Then in the next room, there was a very elderly couple, also taking in the same exhibit.  They were in their 90’s and the husband was bent over and the wife, who was only in slightly better shape than him, was helping him adjust his audio ear pieces that one sometimes rents at museums.  And while I was staring, yet again, I noticed my scarved friend was watching them, too.  I don’t know exactly what he was thinking, but it appeared to me, the look on his face said, “Don’t let this happen to me.”  Or maybe his look was just, “I wonder if this will be me.”  It’s hard to read looks, even when you’re a documented voyeur, I mean, people watcher.

And then, in the very next room, there was an installation called “Woldgate Woods” which depicted a road and the trees surrounding, on four different walls, at four different times of a year, April, June, early November and late November.  In the late November piece, there was snow glistening on the road and in the trees.  Certainly, it was intentionally evocative of the seasons of life and it reminded me of Thomas Cole’s “Voyage of Life” series, which depicts the four stages of human life.  And not only was I witnessing it at the DeYoung as I walked through those rooms.  I was a part of it.  I was a 45-year-old man, remembering those enduring, athletic runs of my youth, looking at these men at 70 and 90, wondering if this was going to be me, wondering if I could accept if it were to be my plight.

Last night, after our hosts took us to dinner in the Marina, Eric and I decided to walk from the restaurant to the home where we were staying in Pacific Heights.  After a few days of bitter cold, it was a balmy 50 degrees.  Many houses were decorated for Christmas, the Golden Gate Bridge was always within our eyeline.  As we walked around the Palace of Fine Arts, we took pictures and talked to the five swans that came to greet us at the water’s edge.  We talked about Ricky and Millie, because being around these gorgeous, flirty, talkative creatures made us miss our own gorgeous, flirty, talkative creatures back home.  And then we walked up Baker Street at what felt like a 75 degree angle, huffing, puffing, and laughing the whole way.  I guessed we laughed too much to call it romantic, but when we finally made it home, it felt like we’d made a special memory.  

And today, as I was driving down the 5 back to Los Angeles, already missing Eric, who is coming home tomorrow, it made me hope that one day, 20-40 years from now, we might be in a museum together and we might see a painting of Golden Gate Bridge, or Coit Tower, or the Presidio, or the Palace of Fine Arts and one of us (no matter what kind of shape we are in) will lean in and whisper to the other, “This takes me back to our trips to San Francisco.”

Starring Oklahoma

2483653_GA couple days ago, I went with my friend Vinod to see a screening of a film called August: Osage County that is coming out in a few weeks.  It’s an adaptation of Tracy Letts’ Tony winning play starring a who’s who of great actors including Meryl Streep, Julia Roberts, Margo Martindale, Sam Shepard, Ewan McGregor, Julianne Nicholson, Juliette Lewis, Chris Cooper, and more.  There are a lot of heart-wrenching performances, but the one thing that stuck with me the most, the one thing I’ve continued to ponder since seeing the movie is the performance, or presence of the state where the movie is set and filmed, Oklahoma.

There is a pervasive heat that you feel the entire time you are watching the movie.  That sticky, sweaty, cloying heat is alluded to even in the title of movie.  If you’ve ever spent an August in Osage County or near Osage County, you know what I’m talking about.  The movie was filmed about an hour away from the town in Kansas where I grew up.  In fact, because of my Dad’s illness, I was in Kansas last summer, when they were filming the movie, and it was a particularly hot summer, some of you might even remember.  So, while Meryl and Julia and Margo and Julianne and Juliette were proximating a dysfunctional family dealing with a family crisis in the part of the world I know best, I was with my (probably slightly more functional) family dealing with a family crisis of our own.  

There is a funny scene in the beginning of the movie where Julia Roberts’ character Barbara, who grew up in Oklahoma but lives in Colorado now opines, “Who was the asshole who saw this flat hot nothing and planted his flag?”  And growing up there, it’s a sentiment I thought myself several times.  I used to say that the good thing about growing up in Kansas is that it makes every other place I go beautiful in comparison.  (That’s harsh.)  Later in the scene, I think Barbara gets it right when she says, “This is not the Midwest. All right? Michigan is the Midwest, God knows why. This is the Plains: a state of mind, right, some spiritual affliction, like the Blues.”  

I wept every time the state of Oklahoma flashed on the screen.  Several scenes take place when people are driving down the road or driving through a small Oklahoma town.  Certainly, there was recognition for me when I saw those old-fashioned churches, or once grand country homes that had fallen into disrepair or that sky, wide open, both in day and night.  But it was more than recognition, it was wist.  And it was love.

I was born in Bartlesville, Oklahoma and raised most of my life, just 45 minutes away from there in Independence, Kansas.  I’m proprietary about that part of the world, because it’s still mine.  And watching this film, moments of which were masterpieces, I understood why people stay and why people leave and why they come home again, and also, why, even if you never come back to live, the plains will always be a part of you.erez-12

Dream Your Dreams!

1476352_10153534656775128_2017242665_nI just returned from a night out in West Hollywood.  I met up with one of the kids who was in my youth group back when I was a youth minister in Missouri.  He is a gymnastics coach and teacher in San Diego.  I haven’t seen him for a few years, the last time was 2009, but I feel that we have a connection that will always endure.

He posted a picture of us to Facebook with the caption “with my high school youth minister turned West Hollywood gay comedian. I’m being serious.” Several people clicked like and a few commented that you can’t make things like that up. I’ve certainly written about my years as a youth minister before, specifically here. There is a regret that I sometimes feel that I let these kids down by going to New York and leaving the ministry. Some of those kids are still very conservative Christians and others have gone in other directions. Regardless of the path their lives have taken, I love them all and I treasure the time I got to spend with them. I hope I helped them love God and their families and their friends and their selves a little more.

I love so much about Facebook. While scrolling through the messages that Olin and I had sent to each other in the last few years, I came across a picture he’d sent me of an old Christmas card I gave him in 1991. image_1356835853716789
“I know that you will go far in life. Dream your dreams!” And in the 22 years since that Christmas, he has gone far in life and I’d say that he has dreamed his dreams. I’m very proud of Olin and the man he has grown into.

A few years ago, he told me that one of the reasons he became a coach was because of me and the influence I had on him when I was his youth minister. I don’t tell you this to brag, in fact, I’m telling you this to confess just how much his words meant to me when he told me. Maybe I’ve made a few mistakes in my life, but maybe I’ve done a few things right, too.

So, tonight we drank Hefeweizen (him) and Maker’s Mark (me) and talked about California life and El Dorado Springs and parents and men and dreams. I’m not that 23 year old from the Christmas card anymore, but my wishes will always be the same. To Olin, and the rest of you from Park Street: I hope 2014 is a super year for you. I know you will continue to go far in life and always, dream your dreams!