A few days ago, my friend Michael relayed to me something that had recently happened to him. After he told me the story, I told him that he should write a guest blog about it, the event had riled him so. And he did. I hope it was a cathartic experience for him. I will say I have been waiting at many of his stage doors, one of the pack of friends, excited to see him after a performance and wish him well. If there is a more beloved Bay Area actor, I can’t imagine who that might be. Although I can’t claim objectivity on this matter. He is writing about actors, but just as much, he is writing about friends, the scenes we play with each other and the consequences of our actions.
“Oh Shut the Stage Door and When Thou Has Done So Come Weep with Me!”
I want to preface this by saying I am aware that I am an extremely sensitive person and to be an actor you need to have a thick skin, or at least so I’m told. I just looked up the expression, thick skin: Having a thick skin or rind. Not easily offended. Largely unaffected by the needs and feelings of other people; insensitive. Nope, not me. Not by a long shot. My skin is as thin as a 90 year old albino Irish woman’s. It was closing night of a production of Romeo & Juliet I was doing with an extremely talented bunch of actor friends who basically got together and said, “Hey, let’s put on a show!” No money, we provided our own costumes and did it in the round with no set. We didn’t actually have lights until an hour before we opened! It was theatre on a wing and a prayer and we were acting by the seat of our pants and it was exciting and fun and my first attempt at Shakespeare. And the great thing was people came to see it! We were playing to full houses and the audiences were young and diverse and seemed to really appreciate the show. I should mention now that we were performing in an old dance hall and not a theatre so there was no back stage and even worse, no stage door! I’m the type of actor who plots his escape from the moment the curtain goes down. I either rip off my costume and run for the stage door before the audience has time to leave the theatre, or I sit in my dressing room and wait it out until the coast is clear. I think a lot of actors feel this way and can relate. It’s just a very vulnerable time and the last thing you want to do is talk to people about the show or even worse your performance. I can be naked on stage or perform with a 103 degree temperature but having to face people after a performance terrifies me! There we lots of fellow actors in the audience on closing night and I love my theatre community here in the Bay Area, so I had to suck it up and thank people for coming out. It was going fine as I have mastered the art of deflection in a conversation! “What show are you working on?” “Did you lose weight?” “So how’s your father?” It was all going fine when suddenly I felt a tap on the shoulder. I turn around and it was an actress I had worked with a few years back, I’ll call her Pilar. Here is basically how the exchange went:
Pilar: Hi!!! (Big hug)
Me: Hi! Thank you so much for coming! I love your coat! That’s a beautiful color on you.
Pilar: Thanks! (Long awkward pause)
Me: So pretty…(Long awkward pause)
Pilar: Did you have fun tonight? (Big smile)
Me: Yes, I did! (Big smile. I can feel the blood rushing to my face.) Pilar: Good! (Big smile…awkward pause)
The rest of that evening involved me badmouthing Pilar to other actors and finally breaking down and crying, asking a group of supportive friends why some people have to be so cruel? Talk about a performance?! Pilar obviously left too soon and missed my best scene!!! Why did I care so much what Pilar thought and why did I react so strongly to what she said, or more importantly what she didn’t say? I guess I just don’t understand why, if she did not care for my performance, she felt the need to come up to me? Why didn’t she just leave or better yet just say, congratulations on the show. Did she feel she would be compromising her artistic integrity? Why did she feel the need to let me know she didn’t care for the show or even worse me personally. As Blanche Debois says in A Streetcar Named Desire, “Deliberate cruelty is unforgivable, and the one thing of which I have never, ever been guilty of.” Going to the theatre is one of my great pleasures in life. I find it especially exciting if I know one of the actors in the show. I am filled with pride and want them to have a great show. Some shows are obviously better than others and occasionally I will disagree with a directorial choice or think someone may be a little miscast. I also know what hard work it is to put on a show and how much time and energy has been spent to entertain me for two hours. So if I stay after to see someone I know, I always greet them with a congratulations, or good show or good work because they desire that! They just gave everything they had and left it all on the stage for me, the audience. A good friend suggested that the next time I see Pilar in a show I should come up to her and ask, “Did you have fun tonight?” But I just couldn’t do that to her because she is a fellow actor, a member of my tribe and a good performer who deserves my support and respect. Part of me hopes Pilar doesn’t read this. But part of me hopes she does and perhaps she will be a little less honorable to her artistic integrity and a little kinder to her fellow thespian the next time she attends the theatre. As for this thin-skinned Shakespearean, I start rehearsal on Monday for my next show and I hope all of you will come! If you don’t see me afterwards chances are this next theater has a stage door.
As a playwright, I can relate. It happens to us, too. In fact, this “Pilar” story played out for me just 2 months ago after a preview of the premiere of one of my latest show — with someone I had just met the night before! So why come up if I don’t even know you!