Helen the Mouse

beatrix-potter-the-tale-of-two-bad-mice-1904-hunca-munca-arrives-to-clean-dollhouse.jpg.pngFor the last few years, as you know, Dear Reader, I start most mornings swimming laps at a nearby pool.  There are those that drop in from time to time, but for the most part, the people I see each day are the people I see every day.  I’ve developed a relationship with all of the regulars, even if our communication is mostly non-verbal.  I know who swims for an hour, who swims for 15 minutes, who doesn’t mind sharing a lane, who splashes unnecessarily so they don’t have to share a lane, who does flip-turns, who swims fast, who swims slow, who likes to swim in the sunny lanes, who likes to swim in the lanes nearest the wall.  And generally, all of the regulars have one thing in common, myself included.  We all look like swimmers.  Maybe it’s the chlorine damaged hair or the winter tanned skin or something else, but all of us, including us portlier ones, look like we swim regularly.  The one exception is a woman I call Helen the Mouse.  I call her that because she looks like a Helen and she looks like a mouse.

I’ve swam next to Helen for the last four years. She is probably around 55.  She looks like she’s a librarian or a secretary, but I doubt that’s the case, because, like me, she sometimes swims in the afternoon.  For a while I thought she might be a mystery novelist. I even went so far as to Google search images of Mary Higgins Clark. (not a match) She is unmarried, or at least she wears no wedding band.  Because she is fair-skinned, she always sprays herself with an ample amount of Neutrogena aerosol sunblock and wears a black long-sleeved rash guard.  Like me, she is not slim, but let me tell you something: she is a very good swimmer.  Once in the water, she swims her laps, at least a mile’s worth every day, with elegant form and respectable speed until she is finished.  I always wonder if she was a high school or college swimmer.  She really is that good.  

If you are a distance swimmer, you know you can get a little bored in that water.  It’s amazing the journeys one’s imagination can take one on during a mile or two swim.  One day, in my head, I wrote an entire short story about Helen, that embarrassingly was a subconsciously plagiarized reworking of William Inge’s Good Luck, Miss Wyckoff, the point of both stories being that beneath the veneer of primness, there always lurks a beast aching to be set free, usually by sex.  In my sophomoric imagination, Helen swims every day, even still because it reminds her of high school when she was the secret hookup of the breathtakingly handsome captain of the swim team, probably named something ridiculous like Blake Devereaux.

In case you haven’t figured it out, I love Helen the Mouse. I love that even though she looks like a Helen and looks like a mouse, she still manages to be one of the best swimmers at my pool. And while I can conjecture about what drives Helen into the pool every day, I think I know she’s there for the same reasons I am there. It makes her feel young. It makes her feel accomplished. And more than anything, it makes her feel alive.

Guest Blogger, Joel Williams: Independence. Does that mean Freedom?

imagesA few days ago, I asked Joel Williams, a longtime friend and another Independence, Kansas product, if he would like to be a guest blogger here.  We have much in common, but the one thing I think that binds us together is our interest, perhaps one could say devotion, to all things related to William Inge.  I love what he had to say and I know you will, too.  Here it is:

 

Independence. Does that mean Freedom?

Like Ray, I grew up in Independence, Kansas. Like Ray, I’m a fan of William Inge, playwright and novelist (1913-73).

What I don’t know is if Ray is looking for the same things in the work of Inge that I am. What am I looking for? Oh, of course I’m looking for the familiar, for signs of the past, for explanations of human behavior, especially those humans in Freedom, Kansas, Inge’s version of my hometown. I’m also looking for what my particular experience growing up in Southeast Kansas did to and for me. A decade or so ago, I bashfully told a friend about William Inge and my hometown, downplaying its significance, and he buoyed me up, comparing his experience and saying, “No one ever made art about Reston, Virginia.” I doubt the literal but not the essential truth of that statement. It made me take a deeper look at the matter.

When I was about 13 years old, my mother took a night class at Independence Community College (once attended by the playwright himself) that had Inge as its subject. She came home and discussed the class, the teacher, her fellow students, and, finally, the plays and the novels. I took an interest, slowly understanding that his work was all about people I knew. My parents pointed out the houses around town that figured in the plays. As adolescence proceeded and I came to regard my hometown as a closed, insular environ worthy of escape, I got even more curious about Inge. I learned that he performed his own escape act, moving away while casting his eyes back toward Independence and keeping his hands on the typewriter.

Every few years, I find myself going through a self-imposed Inge Intensive. I haul out “Four Plays,” then force my partner Roger to sit through a dinnertime viewing of Splendor in the Grass. Recently, I ordered my own copies of My Son is a Splendid Driver and Good Luck, Miss Wyckoff, and read them before flying back to Independence for the Inge Festival. Do enough of that reading and all you think is, funny, there wasn’t much freedom in Freedom – all those old maid schoolteachers accepting or rebelling against the strictures of small-town life and beauty queens dreaming of hopping a train to Tulsa to get together with shiftless bad-boy ramblers.

So, what are the results of growing up in The Real Freedom? I suppose that being surrounded by actual Kansas schoolteachers, beauty queens and bad boys while comparing them to their analogues on stage and screen made me acutely, intimately appreciate what an artist can do with words on a page and actors on a stage. Compared to other small-town natives I know, I think I see my hometown as something of a stage set, a place where Human Drama Happens. And I do occasionally find myself putting my life experiences into the narrative frame of an Inge play – oh stop it Joel, you’re acting just like Sonny! If I can’t have Bud I’m gonna go crazy, crazy!!! And when I think about the reason why I left Independence, I guess I was afraid of becoming a kind of old maid schoolteacher and yearned to run off to the city on a boxcar. So I did.