Let it Go?

Jimmy-Fallon-Idina-Menzel-Let-It-GoSo, guess what?!? I can hold a grudge, especially if someone does something that hurts the feelings of someone I love. Real person, celebrity, it makes no difference. And that’s why I’m not the biggest Jimmy Fallon fan. I used to like him until I read my friend’s blog where she detailed a rather upsetting interaction she had with Jimmy Fallon. And ever since, I just couldn’t really watch him without thinking about that story.

Cut to last month, when everyone was posting the video of Jimmy, Idina Menzel and the Roots singing “Let it Go.” Everyone in my orbit emphatically told me that I HAD to watch the video, that I’d love it, that it’s seriously, like the best thing in the world. But I resisted.

Until yesterday.

And then in a weak moment, I watched it on Youtube on my Iphone and I’ll be honest. I did love it. I love Idina and I love the song and there really is something magical about the video. And I sat there on my couch, watching the video, thinking, Ray, there is a message there for you. Let. It. Go. Forgive Jimmy. It’s time.

And then I went and found my friend’s blog and read it and got a little mad again. But I sent “Carreen” a message on Facebook, she’s since moved away from Los Angeles, and asked her if I could share her Jimmy Fallon story. Also, since she posted it in 2007, how does she feel about him today, seven years after posting the original blog? Her response: “You can most certainly re-post my blog because I wish more people could know about what a jerk he is. He will always be a social-climbing jerk in my mind, and that incident with him was the turning point for me that caused me to turn away from comedy and writing and all things Hollywood.”

So, really, I’ll be honest, I don’t know how I feel. I still don’t think I like him very much, but I do love this video, so in the spirit of letting things go, I’ll repost it. And by all means, please read Carreen’s blog:

Why I hate Jimmy Fallon

I know I’m supposed to be trying to behave myself and be a nice person these days, but I just can’t help it. I still hate Jimmy Fallon. Every time I see his faux-earnest face on TV or in a movie poster, I just want to punch him.

But hear me out – I have a good reason for hating him. My hatred has basis in fact, and like everything else in my life it’s a long story.

Many years ago I was in a comedy group called the Groundlings. I took classes there and worked my way up through the ranks very quickly – too quickly in the opinion of some. By the time I was 25 I was in their Sunday Company, waiting to get voted into to the main ensemble. But when it came time to get voted into the big company – much to my shock I was tossed out. I was stunned. Several other really good comedians besides myself were tossed out in the same vote. We just couldn’t believe it.

And I really was good. I’m not usually a confident person, but I know in my heart that I was an exceedingly talented writer and comedian. I could improvise circles around just about anyone who shared the stage with me, and I could get a laugh with any material I was handed by the other writers. That was the problem though. I was a young, idealistic kid and I didn’t realize that being talented marked me for death in the shark pit that was the Groundlings. I foolishly thought that Hollywood was a place where talented people rose to the top and got famous, and everybody helped each other out along the way, and I thought I was absolutely destined to be on Saturday Night Live.

Right before the vote came up for the main company cast, I started to notice that every time I did an improv scene in a show, the director paired me with actors who talked nonstop and never allowed me to get a word in edgewise. They’d immediately grab focus and force me to the background of the scene, ignoring me as they talked loudly and nonstop at the same time as other loudmouthed actors. I also noticed that our bitter, (and might I say over the hill) female director was putting fewer and fewer of my scenes in the shows until finally I didn’t have any material to show the voting committee. For some reason she didn’t think I was funny, and when we’d all read prospective scenes and mine got laughs from my cast mates she’d wrinkle her nose and go “I don’t get it. It’s not funny to me.” and cut it from the roster.

It was years before I realized what had actually happened to me. I had been steamrolled. I’d been completely smudged out by aggressive actors who were older than me and therefore more familiar with the rules of the game – kill or be killed. That was when I started hating acting, and I quit. I thought, “If this is how you have to behave to be successful. I can’t do it. I just don’t have it in me to knock somebody over to get ahead.”

It was a good time for the Groundlings. The main company then featured Will Farrell, Lisa Kudrow, Mike Hitchcock and Kathy Griffin and many others who went on to great success. My fellow actors in the Sunday company included the brilliant character actress Jennifer Coolidge, MAD TV’s Phil LaMarr, Chris Kataan and also Cheri Oteri, who later ended up on Saturday Night Live.

Cheri and I had been close friends during our humble classroom days at the Groundlings but right after she got cast on SNL I saw very little of her. I figured she was busy and our friendship had been sort of on-again, off-again throughout the years anyway so it didn’t really hurt my feelings. A couple of years went by, though, and I still could not bring myself to watch SNL. It was just too painful for me to see it, knowing how much I had wanted to be a part of it and knowing that it would never happen. I continued to write and even signed with the Artists’ Agency literary division, but I distanced myself from actors and acting.

That’s why I was very surprised when I got a call from Cheri in the late ’90’s, out of the blue, saying she was coming to LA for hiatus and she wanted to talk to me about submitting some of my sketch material to SNL. We had lunch and talked about ideas for a film, then she said she’d tell the SNL producers to look for the stuff my agent was sending over. She warned me that it would be very difficult to get my writing seen or taken seriously because the writers were all male at that time, and she was trying to get me in because she wanted a woman writer on the staff. My submissions got read but I was not hired. I truly appreciated her trying, and I still do.

BUT…the last time I ever saw Cheri made me walk away from the entire comedy scene forever. It went down in history as the most awful, embarrassing thing that has ever happened to me, I want to throw myself off a bridge every time I recall it, and yes – it involved Jimmy Fallon.

Cheri and I went out to dinner, again to talk about movie ideas, and she said “We’re going to a party afterwards at the Chateau Marmont. Dress hip.” We had dinner, went to see Jim Wise’s band at Molly Malone’s, then I followed Jim and Cheri in my car to the hotel. As we were walking in the front door I said “Whose party is this?” and Jim said “It’s Jimmy Fallon’s birthday party.” Since I hadn’t watched SNL in two years I said “Who?” I really had no idea who he was. They both looked at me like I was insane.

The party was in a bungalow there – one of those little private houses like the one where John Belushi died. I walked in the door and almost had a stroke. I am a very, very painfully pathologically shy person, and parties are excruciating enough to give me dry heaves all day beforehand, but this was the worst-case-scenario-of-all-time party I could ever have imagined in the subconscious nightmare regions of my medulla oblongata. The lights were all blazing – 100 watt bulbs overhead and in all lamps, so no hiding in any nonexistent shadows for me – and there were ten people there. All ten of those people were famous. Very famous.

And I….was not.

They were also really close friends with each other. Really close, darling sweetie love you kissy friends.

And I….was not.

Cheri introduced me to Janeane Garofalo and I pointed at her and said, “You’re funny!” in a stupid childish high voice that was so weird it made her walk away uncomfortably. That’s when Cheri disappeared and left me to fend for myself.

I tried to join conversations. I lingered at edges of groups, hoping to be noticed and asked to join. I introduced myself to people. Nobody talked to me. They squinted at me, annoyed, as if I was the pizza delivery guy trying to crash their party, and turned their backs to me. I wandered from room to room in that bungalow like the ghost of John Belushi, with nobody seeing or acknowledging my presence, for nearly an hour. Nobody wanted to know me because, you see, I was nobody.

Miraculously, another non-famous person entered the party. It was Chris Kattan’s girlfriend at the time, a very nice and polite girl to whom I will be eternally grateful for the rest of my life for not turning her back to me after I introduced myself. She and I chatted for a long time until finally I felt like I’d redeemed myself enough to make a graceful exit. There was no way in hell I was staying amongst this cold, bloodless horde another minute. I brushed past Sara Michelle Geller (who frowned at me as if to say “What IS that?”) and I found Cheri. I said, “I’ve got to get home – I have to be at work early tomorrow morning.” She looked puzzled, then said, “You have to say good night to Jimmy. It’s his birthday.” I said “Nooo – really that’s not necessary. He and i didn’t meet…” and I headed for the door as if my life depended on it because really, it did.

As I reached the door, so close to freedom, I bumped into a seemingly-drunk Jimmy Fallon. He weaved a little bit and said “Hey – where ya going?” I said “I’m headed home. Happy birthday!” and I tried to squirt past him as quickly as I could. And then he did something truly evil, which absolutely destroyed me and from which I have never fully recovered. He grabbed me and hugged me for an uncomfortably long time, looked at the ten A-List actors in the brightly lit room, and stage-whispered over my head to them “WHO THE HELL IS THIS?!?!??!” which they all found simply hilarious and subsequently died laughing.

And there I was, with a room full of famous people laughing at me. It was bad enough that they hadn’t talked to me all night, and that they treated me like I was an irritant. These people whom I admired so much, and I had hoped would someday be my comedy buddies, my actor peers – and Cheri, who I had thought was my friend, were laughing at me and I couldn’t escape because Jimmy Fallon was still gripping me in this evil, patronizing, life-sapping hug.

I finally wrestled free of him and, looking at the floor with my eyes full of tears, I stumbled out of the bungalow. As the door closed behind me I could hear them all still laughing at this funny, talented, man who was celebrating his birthday, and who was on his way to the top of his professional game at that moment.

And so that’s why I hate Jimmy Fallon. He continues to rise up the ranks in Hollywood and charm people, and to take the moviegoing public’s money and spend it on wonderful things for himself but I know from personal experience that he is a mean person. His friends are mean people too, and I am glad I never got famous and had to suffer the horror of being their friend as well. I am glad walked away from being an actor and a TV writer and failed on purpose because in turn, I succeeded at being a human being. I held on stubbornly to my kindness and my integrity, and I would never, ever in a million years laugh at somebody who came to my birthday party and just wanted to make friends.

I never saw Cheri again after that. I think that night was a kind of litmus test for her to see if I could cut it in the big leagues and I am glad to say, with a sigh of relief, that I can’t. The ten people who were in that room that night can take the big leagues and shove it up their asses.

What’s on Your Napkin?

Gotham City Improv gang @ Dwyers pubOver twenty years ago, I was cast in small role in a play in New York.  One of the leads was a woman I’ll call Amy, since that is her name.  She was one of the most magical performers I’ve ever seen.  I remember watching her in rehearsal, marvelling at how funny she was, and also so quick, too.  We seldom talked to each other, I was fairly shy and she was the star.  I remember one rehearsal when the entire cast went out to eat together and Amy sat there knitting while everyone else chattered excitedly. She was so mysterious, she made me think of the greats, like Geraldine Page or Maureen Stapleton or Sandy Dennis.  In fact, she sort of looked like a young Sandy Dennis.

A few months later, I took a class at a place called Gotham City Improv.  By fate, Amy was my teacher.  It was the second level of their program, I had taken the first level earlier in the year.  Although I passed, my first level experience was unremarkable.  Well, that’s not true, probably.  I didn’t connect with any of the other students, I did not feel like any of the other students thought I was funny or interesting.  I also did not feel like I was funny or interesting.  Level 2 was different.  I made three new friends in that class, 3 people who have been my friends for twenty years now.  I’ll call them Maryanne, Jerry and Rebecca, because those are their names.  Jerry loved every old movie, just like me.  Maryanne knew every detail of every 70’s sitcom, just like me.  And Rebecca, floated in and out of every scene like the Tennessee Williams meets Beth Henley character that she is, just like, well, just like I see myself in my dreams.  I thought that they were all three magical and funny and interesting and they treated me that way, too.  We laughed.  We wrote.  We sang.  We collaborated.  We actually took every subsequent level together.  We passed every class and looking back, I wonder if I would have succeeded in the same way, if not for them.  I wrote for them.  I would improvise for them, thinking, what will make Jerry and Rebecca and Maryanne laugh?

A few months after I moved to LA, Rebecca moved here, too.  Also, around the same time, I was walking out of my apartment building and I saw Amy walking in.  “What are you doing here?” I asked.  “I’m moving in here.  Do you live here?”  Of all the apartments in LA, by fate or by chance, Amy moved into my building.  And over movies we rented from the corner Blockbuster and budget batches of sangria, we became the best of friends.  

And then Jerry moved to LA and the four of us, Amy, Rebecca, Jerry and I spent a great deal of time together.  We’d see each others plays.  We’d take turns hosting little dinner parties.    And then Jerry moved away.  

Amy met a guy named Jonathan.  He added seamlessly into the mix.  It’s always nice when your friend dates someone you like.  And it’s even better, but actually a little rare, when you like them so much that they become your friend, too.  And of course, that’s what happened with Jonathan.  

I remember one night, several years ago, when Rebecca, Amy, Jonathan and I were at happy hour and Rebecca shared her napkin theory, how we all have a napkin with what we have available listed on it.  It can be objects, like a camera or a computer or a recording studio or a car, but it can also be your skill set, like accents or writing or improv or organization.  Also, on your napkin, you should list the friends that you have, that you can collaborate with.  At the time, we teased Rebecca about her napkin theory.  We still do.  But she couldn’t be more perceptive.  We all have a napkin.  And we owe it to ourselves to ask, “What’s on my napkin?”

I was thinking about my napkin last Monday night after my Spark show.  Rebecca, Amy and Jonathan and I went for drinks together.  There was a spirit of celebration, the show had gone well.  And those three have been friends with me long enough and seen enough shows that did not go well, that we revelled in the glory.

My napkin is very full.  I don’t say that to brag, because I don’t have a movie camera or a great talent for accents.  But what I do have is an embarrassment of riches in the talented friend department.  I feel so lucky to have collaborated with so many people, friends from Gotham City and Popover and Groundlings and Party and Barney Greengrass and Uncabaret.   You know who you are.  

Another thought occurred to me last Monday, which is, you never know, when you meet them, who is going to be an under 5 and who is going to be a co-star in your story.  As I sat with Rebecca, Amy and Jonathan, I marvelled at the prominence we’ve had in each others’ lives.  And how lucky I am that they are on my napkin.