Surprise!!

photo-25So tonight, actually just a few hours ago, I was on the receiving end of a surprise birthday party.  Eric and I walked into Marie Callender’s, our usual Friday night hang and as we walked into the lounge area, a crowd of people that I recognized jumped up from behind the piano player and yelled, “Surprise!!”  It took me seconds to realize what was going on, I literally could not process the data.  And then when the piano player started singing Happy Birthday I realized, ohhhh, this is for me!  It seems my friend Barbara had masterminded the entire evening, with a little help from Eric and a few others.  We sat outside on the patio and enjoyed all night long happy hour and a good time was had by all! 

I will tell you, it took me a few minutes to feel comfortable.  I’ve thrown surprise birthday parties, but I’ve never had one thrown for me.  But you know, once I started into my second glass of sauvignon blanc, it got a little easier.  At one point, I looked around the table and I thought how lucky I am to have such good friends.  These are my work friends and you know the thing about work friends, is you’re kind of stuck with each other.  I’m sure this will come as a shock, but sometimes I can be a little, well, mercurial in the work place.  When I was looking around that table, I thought to myself, there is not one person I have not had some conflict with at some point in our time together.  Not one person.  Now of course, I can see that I am the common denominator: I can be a pill sometimes.  But in the spirit of cutting myself some slack (hey, it’s my birthday!) I do think conflicts always arise in relationships, work or otherwise, and how we proceed after the conflict is actually where the gold can be found.  I’ve worked with some of these people over a decade and I don’t think of them as co-workers or even friends anymore; I think of them as family.

I’ve posted a few of the pictures of the party.  It was a beautiful evening and I am touched by the work that Barbara and Eric and others put into it to orchestrate it.  And I especially loved the cake that Barbara and Jack got for me from Hansen’s.  It was so like her to understand how much this little blog has come to mean to me in the last few months and it was such a Barbara gesture to ackowledge it on the cake. So, thank you Barbara and Eric and Matt and Eboni and Kristin and Olya and Ian and Vinod and Jon and Shelly and J.B. and Mimi and Danny and Jack and Amy! You totally, TOTALLY surprised me!

Mr. Bradley

Image

A few days ago, I found myself at an elementary school assembly. There was a young man, apparently the music teacher, leading a group of kindergarteners in a song about being an animal, if I recall. He was magnetic and enthusiastic and a tad flamboyant and he reminded me of my own grade school music teacher, Mr. Bradley.

Mr. Bradley was tall (at least he seemed tall at the time) and lean and silver-haired. He wore clogs and turtlenecks and was the most sophisticated person I’d ever known. He taught us songs in foreign languages (Frère Jacques) and songs about European landmarks (London Bridges) and he gave us, at an early age, a window into a world far away from our little Kansas farm town. He was the vocal teacher and orchestra teacher and since I sang in the choir and also played violin, he figured prominently in my grade school years. Like the young teacher I witnessed a few days ago, he was magnetic and enthusiastic and a tad flamboyant.

Mr. Bradley was the first gay person I ever knew, although I did not know it at the time. I remember in junior high, a classmate told me about how he’d once called Mr. Bradley a faggot to his face, bragged about it actually. I asked if Mr. Bradley was gay. He said, “Yes.” I asked how he knew and he told me his Dad who was also a teacher had told him.

When I was in high school, Mr. Bradley moved from Independence to somewhere in Texas. A few years later, I heard that Mr. Bradley had passed away. I’ve talked about formative teachers on my blog before and Mr. Bradley falls into that category. And of all my teachers from my hometown, he is the one I know the least about. In my adulthood, I’ve wondered why he taught in Independence when the call of the world was clearly beckoning to him. I’ve wondered if he had a great love or any loves at all. (I’d never heard talk about him having a boyfriend or partner.) I’ve wondered what prompted his move to Texas and if his final years were happy ones. I hope so.

I also wonder if he knew that I was going to grow up to be the (sometimes) magnetic, enthusiastic, tad flamboyant man I’ve grown up to me. Did he see something of himself in me? I know there are some people in the world that think gay people should not teach. There might be people who read my blog that think gay people should not teach. But I am very grateful that the Universe placed him in my educational path.

Mr. Bradley, I really wish you were alive today. I wish you could come visit me in Los Angeles and I’d take you to see Follies at the Ahmanson and jazz at LACMA and we’d walk the grounds of the Huntington Gardens. We’d get tickets to the L.A. Philharmonic and grab a drink at the revolving roof top lounge at Westin Bonaventure and as the world spins around us, I’d tell you how special of a teacher you were. I might confess to the school boy crush I’d had on you. You might tease me about how ridiculous I look in my man clogs and I’d tell you that it’s all your fault I wear the darned things. And then we’d laugh and order another round of Cosmopolitans. And when the check came you’d grab it and I’d steal it from your hand and say, “No, this is on me, I owe you.” And the fact is, even though I’ll never get to tell him that, I do owe him.

Paula, Paula…

jessica-tandy-bestfriends9A few years before Jessica Tandy won an Oscar for playing Daisy Werthan in Driving Miss Daisy, I discovered her in a movie called Best Friends that starred Goldie Hawn and Burt Reynolds.  Best Friends is one of those 80’s romantic comedies that played on a constant loop on HBO when I was growing up and Jessica Tandy was the reason I watched it every time it aired. I didn’t know who she was or that she’d originated the role of Blanche Du Bois in A Streetcar Named Desire on Broadway, all I knew is that she was in the scene in the movie that made me laugh every time I watched it.  I would rewind the scene over and over so I could hear her say the line again and again.  Why did it make me laugh so much, who knows?  For whatever reason, it tickled my funny bone.  I was pretty excited to find the clip on Youtube; I had to do some serious sleuthing to find it.  The video quality is poor and the movie is a little dated, but when she got to the line, I laughed out loud.  And then I rewound it and watched it again.

The Kite Man

kiteman_poster2_v1

A few years ago, I did this short film for my friends Megan and Patrick Heyn for FunnyorDie.com.  It’s the press junket to a fake movie called The Kite Man.  Megan plays a Lindsay Lohan-type actress trying to break out into her first adult role, Drew Droege is the The Kite Man‘s director, Kristin Wheatley is the Maria Menounos-like E! interviewer and I play, well, you’ll see. If you only know me from this blog, you might think I am a very serious person. I just wanted to post this to show I have a mirthful side, too.  So watch and vote FUNNY! (NSFW)

http://www.funnyordie.com/videos/a15fc3af2f/the-kite-man-press-junket

Guest Blogger, Joel Williams: Independence. Does that mean Freedom?

imagesA few days ago, I asked Joel Williams, a longtime friend and another Independence, Kansas product, if he would like to be a guest blogger here.  We have much in common, but the one thing I think that binds us together is our interest, perhaps one could say devotion, to all things related to William Inge.  I love what he had to say and I know you will, too.  Here it is:

 

Independence. Does that mean Freedom?

Like Ray, I grew up in Independence, Kansas. Like Ray, I’m a fan of William Inge, playwright and novelist (1913-73).

What I don’t know is if Ray is looking for the same things in the work of Inge that I am. What am I looking for? Oh, of course I’m looking for the familiar, for signs of the past, for explanations of human behavior, especially those humans in Freedom, Kansas, Inge’s version of my hometown. I’m also looking for what my particular experience growing up in Southeast Kansas did to and for me. A decade or so ago, I bashfully told a friend about William Inge and my hometown, downplaying its significance, and he buoyed me up, comparing his experience and saying, “No one ever made art about Reston, Virginia.” I doubt the literal but not the essential truth of that statement. It made me take a deeper look at the matter.

When I was about 13 years old, my mother took a night class at Independence Community College (once attended by the playwright himself) that had Inge as its subject. She came home and discussed the class, the teacher, her fellow students, and, finally, the plays and the novels. I took an interest, slowly understanding that his work was all about people I knew. My parents pointed out the houses around town that figured in the plays. As adolescence proceeded and I came to regard my hometown as a closed, insular environ worthy of escape, I got even more curious about Inge. I learned that he performed his own escape act, moving away while casting his eyes back toward Independence and keeping his hands on the typewriter.

Every few years, I find myself going through a self-imposed Inge Intensive. I haul out “Four Plays,” then force my partner Roger to sit through a dinnertime viewing of Splendor in the Grass. Recently, I ordered my own copies of My Son is a Splendid Driver and Good Luck, Miss Wyckoff, and read them before flying back to Independence for the Inge Festival. Do enough of that reading and all you think is, funny, there wasn’t much freedom in Freedom – all those old maid schoolteachers accepting or rebelling against the strictures of small-town life and beauty queens dreaming of hopping a train to Tulsa to get together with shiftless bad-boy ramblers.

So, what are the results of growing up in The Real Freedom? I suppose that being surrounded by actual Kansas schoolteachers, beauty queens and bad boys while comparing them to their analogues on stage and screen made me acutely, intimately appreciate what an artist can do with words on a page and actors on a stage. Compared to other small-town natives I know, I think I see my hometown as something of a stage set, a place where Human Drama Happens. And I do occasionally find myself putting my life experiences into the narrative frame of an Inge play – oh stop it Joel, you’re acting just like Sonny! If I can’t have Bud I’m gonna go crazy, crazy!!! And when I think about the reason why I left Independence, I guess I was afraid of becoming a kind of old maid schoolteacher and yearned to run off to the city on a boxcar. So I did.